Here’s another piece from the collection.
This suit was originally owned by a country/western performer named Robert Frost. Unfortunately I have been able to find out very little about him. The suit is a home-made job from the ’60s, in the style of the Nudie suits worn by Porter Wagoner. If anyone has any info on it, I’d love to hear from you.
Category Archives: Jackets
Joseph Jaeger Jacket
Here’s one from my collection, which is not for sale, but certainly is worth sharing.
I found this jacket at a Salvation Army thrift shop in Halifax Nova Scotia. It was custom made by Joseph Jaeger, a furrier in Berkeley, California, and is truly one of the most unusual pieces of vintage menswear I’ve lucked across. The detailing is odd enough that dating is difficult.
Two Tone plaid norfolk work jacket
http://www.ebay.com/itm/271172308225
This vintage jacket has some great detailing. It has two tone panel styling, with plaid wool on the front and on the underside of the collar. The topside of the collar, the sleeves and the back are all dark blue wool. The back has a halfbelt, and norfolk strapping, which also follows the color change of the paneling, switching over at the shoulders. The cuffs and ends of the belt back have knotted leather buttons. There is a contrast blue buttoned throat latch on the underside of the collar. The front of the jacket is closed with a spring loaded crown zipper, still in great working order. Inside, the coat is lined in plaid cotton, with a blue, white, yellow and tan color scheme. The sleeves are lined in tan flannel.
Chest (pit to pit): 26″
Shoulder to Shoulder: 20″
Sleeve (shoulder to cuff): 24″
Mac Mor Canadian blanket coat
http://www.ebay.com/itm/281078392961
This vintage coat was made in the 1950s by Canadian company “Mac-Mor”. This is another striped blanket coat, ala The Hudson’s Bay Company. The multi-stripe and red and black are the most common combinations on these Canadian blanket coats, which makes this one somewhat unusual. It has a white background with black and yellow stripes in differing widths and combinations. With the white background of this coat, there are scattered stains, the worst of which is on the left shoulder. The jacket has a gray quilted lining.
Chest (pit to pit): 23″
Shoulder to shoulder: 18″
Sleeve (shoulder to cuff): 17″
Nylon CHP jacket
http://www.ebay.com/itm/281078362397
This vintage motorcycle jacket was custom tailored by Lancer Leathers of Phoenix, Arizona. Going by the Lenzip zippers, I’d say it was made in the 1970s. It is the classic Columbia / CHP style, unchanged since the late 1940s. This one follows the pattern, with the concealed snaps in the collar and lapels, the zipped front pockets, the shourt length, zip cuffs, laced side panels, and kidney panel. This throws a nice twist on the design with its heavy nylon material. It has leather elbow reinforcement padds, and leather detailing on the cuff zippers and the laced panels. With the 48″ chest, I would recommend this jacket for either a size 44 or 46.
Chest (pit to pit): 24″ (doubled =48″)
Shoulder to Shoulder: 18″
Sleeve (shoulder to cuff): 23″
Cambridge Dry Goods barn jacket
http://www.ebay.com/itm/271172287868
This jacket was made by Cambridge Dry Goods. It is an interesting mix of preppy styles, taking the basic form of a classic canvas barn jacket, with its six pocket front, and mixing it with the contrast taped seams of boating blazers and school uniforms. The underside of the collar, the pockets and the lining are all tartan.
Chest (pit to pit): 26″
Shoulder to Shoulder: 22″
Sleeve (shoulder to cuff): 23″
Original A2 leather jacket
http://www.ebay.com/itm/281075219233
This vintage A-2 jacket was made in 1942 as part of the Dubow contract no. 27798. It started out life as a russet horsehide, but was reissued during the war and re-dyed a seal brown at that point. The jacket bears stitch marks from a squadron patch on the breast, and from bars on the epaulettes. Also visible are stitch marks from a previous name tag, slightly offset from the current one, which reads W.S. Butler. In 1983, the jacket received a new Talon zipper, and a brightly colored lining. The zipper still works fine, but you may want to replace it for authenticity’s sake. The replacement liner is ugly, in poor condition, and should definitely be replaced. During the re-line, the jacket lost its original contract tag and leather hanger. I believe the knits, or at least the cuff knits, may be replacements from this period as well. The leather bears signs of heavy use in the collar and shoulders. Otherwise, the leather is in surprisingly nice condition, and has been freshly conditioned. With a chest measurement of 22″, the jacket fits at around a size 40 to 42.
Chest (pit to pit): 22″ (doubled = 44″)
Shoulder to Shoulder: 18″
Shoulder to end of knit: 24-1/2″
Length down back (bottom of collar to end of knit): 23″
Black CHP jacket
This one I’m keeping for myself. It’s a Langlitz Columbia / California Highway Patrol style jacket. 7 pounds of leather.
A lot of people out there buying modern high end reproductions of ’30s jacket styles talk about how authentic their jackets are. To prove this point they reference how their jackets weigh eight pounds and can stand up on their own, how they can stop bullets. How anything that’s not made from the worlds stiffest 4oz horsehide is “mall jacket quality”. That kind of thing. The more I hear about this kind of thing, and the more original jackets I handle, the more I’m convinced these people have never seen an actual vintage jacket. Most of the vintage jackets I’ve handled clock in at three and a half pounds, post conditioning. The counterargument people will use against that is that they’ve lost moisture and therefore weight over the years, and I know that these jackets do. But they usually put on several ounces after conditioner is applied to bring them back to their original state, not four and a half pounds.
Back to the jacket at hand. Like I say, clocking in at 7 pounds, which is a lot for such a short jacket, it’s almost uncomfortable to wear, so sizing is important. This one is a good fit for me, tight through the body, but not uncomfortably so. A big complaint I have with modern production motorcycle jackets I’ve tried on is their length. As with seemingly everything these days, they’ve become longer and longer, gradually lengthening to close to the length of a suit jacket.
There was a reason that old utility jackets, denim jackets, and motorcycle jackets hit the wearer right at the beltline. When you sit down, or ride a motorcycle, or do anything that requires any action, a long jacket will either bunch up or ride up. With a heavy leather jacket like this, the riding up scenario is more likely. With a jacket like this, the bottom of the jacket lines up just about with where you bend in the middle, which means no matter how you move, the jacket stays right where it should. Some modern jacket makers try to get around this length issue by putting a two-way zipper on their product, allowing the jacket to be opened at the bottom. It’s a good solution, but I fine that more often than not, makers continue the “V” shape of the jacket all the way to the bottom, which means (for me, at least) they are either uncomfortably tight across the hips, or that you have to size up, making them too baggy in the chest. Give me an old fashioned waist length jacket any day.
You may notice on the long half-belt jackets of the ’30s-’50s that the zipper starts a good six to eight inches higher than the bottom hem, and that on older suit jackets and overcoats, the button stance was higher. This allowed you, even with a longer length, to keep your jacket buttoned or zipped, keeping the cold and wind out.
This jacket dates from the 1970s, and has a heavy gauge Talon main zipper. It has zipped sleeve cuffs with mouton panels at the end to keep a tight seal when fully zipped. I like my jackets on the simple side without a lot of hardware. It’s easy for a motorcycle jacket to get into punk or fetish territory in a hurry, especially one like this. For that reason, I like the concealed lapel studs, the simple pockets, and the un-fussy yoked back. It is well detailed, but practical, and thought out. I’m not in love with the belt loops, as I have no intention of wearing a garrison belt with it, but I can live with them. The jacket came with a snap on mouton panel, which covers the rider’s chest and throat while the jacket is worn with the lapels open.
Steve Alan Shawl Collar Deck Jacket
This Shawl Collar deck jacket seems to be from Steve Alan’s 2009-2010 collection. Originally, depending on the store, it sold somewhere in the $350–$475 range, so not a cheap jacket. Proudly made in the USA. People go on about how much better US made goods are, and I agree from a standpoint of employment. Yet sometime between me ordering this jacket and it arriving, the bottom snap fell off. And within five minutes of me owning it, the second one dropped off. Thankfully, snap replacement is cheap, and it’s a great looking style, but for a jacket made in the USA and sold at that price, I would expect less shoddy workmanship.
http://www.ebay.com/itm/271165248496
This lightweight cotton jacket was made in the USA by Steve Alan. It is unworn, with tags, but the two bottom snaps have dropped off. It has patch cargo pockets and handwarmer pockets. The style takes influence from WWII deck jackets.
Chest (pit to pit): 22″
Shoulder to shoulder: 18″
Sleeve (shoulder to cuff): 25-1/2″
Air Crest plaid shirt
http://www.ebay.com/itm/271165286417
This vintage shirt was made in Canada. It has a two pocket front, with cats eye buttons, and a fantastic label depicting a four motor airliner.
Chest: 25″
Shoulder to shoulder: 20″
Sleeve (shoulder to cuff): 23″



















































