1940s horsehide half-belt leather jacket

http://www.ebay.com/itm/281070696494

This vintage leather jacket was made in the 1940s or 1950s. Its heavy leather feels like horsehide, but there are no tags. It has acquired an incredible patina to the leather, originally a dark seal color. The main zip is a Scovill, but it is missing teeth and the slider, so it will need to be replaced. The jacket is a very clean design, with a shirt style collar, handwarmer pockets and a zipped breast pocket. The rear has a halfbelt with adjuster belts. Incredible grain and mismatched panels, each having taken on a unique character over the years. The jacket is lined in khaki cotton, and has no remaining tags. There is a small hole in the leather by the breast pocket, and places (shoulders, cuff, sleeve) where seams need to be re-stitched. The leather is still strong, however, and has not worn through in the collar and cuffs like you would expect to see.

Chest (pit to pit): 22″
Sleeve (shoulder to cuff): 24″
Shoulder to Shoulder: 18″

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Gordon and Ferguson Field and Stream plaid western jacket

I saw one of these on Ira Gitlin at the Blob’s Park Buddy Holly tribute concert back in early February, and commented on what a cool jacket it was.  Somewhat weirdly, the next day I found a nearly identical jacket and snapped it up.  It’s funny how the world works.

Photo by Michael G. Stewart

http://www.ebay.com/itm/281070743767

This vintage jacket was made in the 1950s by Gordon and Ferguson of St. Paul, MN under their Field and Stream label. It is a western style jacket, with peak lapels, buttoned saddlebag pockets, and a yoked back with bi-swing shoulders.

Chest: 22″
Shoulder to Shoulder: 18″
Shoulder to cuff: 24″

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Hudson’s Bay point blanket shirt jacket

http://www.ebay.com/itm/281067893704

This vintage jacket was made by the Hudson’s Bay Company from their iconic multi-stripe point blankets. It is single breasted, with a shirt style collar and cuffs, and flapped patch pockets. The lining material on the back side of the pocket flaps is heavily worn, as is typical. The jacket has taped seams and lined shoulders. It has a small variant of the Hudson’s Bay Company point blanket tag.

Chest (pit to pit): 27″
Shoulder to Shoulder: 20″
Shoulder to Cuff: 26″

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Hooded Woolrich jacket

http://www.ebay.com/itm/271159624677

This vintage Woolrich coat has really great detailing. It has a brass Talon zipper front, with a buttoned wind flap. It is fully belted, with a chunky metal belt buckle. The handwarmer pockets close with brass talon zippers, and have leather reinforcements at the ends. The pocket trim forms the belt loops in the tradition of norfolk jackets. The front patch pockets are of the saddlebag variety, allowing them to expand when used. The coat has a hood, and a full sherpa lining, with quilted nylon in the sleeves. It is tagged a size 46, but with the 46″ chest measurement, fits like a size 42.

Chest (pit to pit): 23″
Shoulder to Shoulder: 19″
Shoulder to Cuff: 25″

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Palm Beach Cloth

As with all other guides for dating vintage clothes, always use a variety of methods when attempting to assess a garment’s date of manufacture. While there is a fairly continuous base of ads and dated examples to draw upon, with changes of labels, there is always overlap of the old and the new. And as with anything else, there are usually a variety of variations (the Palm Beach Beau Brummell ties spring to mind) for any basic pattern of label, which can cause confusion.

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History

Goodall Mills of Sanford, Maine was founded in 1847. They introduced Palm Beach cloth in 1911. The iconic white variety of the fabric was immediately adopted in the South, but took some time to catch on in Northern states. By 1923, Palm Beach cloth was being produced in more than 140 colors and patterns. (source) Darker colors proved more popular with Northerners who wanted the cool fabric without attracting undesired sartorial attention. Within the first decade of production, soundalike imitation fabrics had started to pop up and “Palm Beach” had become the layman’s term for a light colored suit.

In 1931, a second plant opened in Cincinnati, and the company headquarters relocated to that city. In that same year, the Goodall Worsted Co. organized the Goodall Co., Inc. to “manufacture all garments made of Palm Beach cloth for the 1932 season”. (source) Up until that point, the quality and cost of suits made of Palm Beach cloth had varied wildly. That plant was bought out in 1942, and retooled for the war effort. Despite this, the company headquarters remained in Cincinnati. With control over the fabric and tailoring, Goodall Mills began opening their own line of Palm Beach stores, to sell direct to the public. (source)
In 1944, the town name, “Sanford” was added to the mill name “Goodall”. By the 1940s, further plants producing Palm Beach Cloth had opened in Boston. (source) In 1949, the clothing branch of Goodall Sanford was renamed to simply the “Palm Beach Company”.

The Maine operation of Goodall-Sanford announced losses in 1949. They began to transfer some cloth production to Cincinnati in 1952. (source)Losses were announced again in 1952, though by 1953, sales were back up. Competitor Burlington Mills bought controlling interest in the Goodall Sanford mills in July of 1954, with the plans of “divesting itself of the cutting (suitmaking) operation”. (source) By November of 1954, Goodall-Sanford sold all four of its fabric mills in Maine, leasing one back with the intention of continuing production of Palm Beach fabric. (source) The suitmaking side of the company and the Palm Beach name (but not the mill) was sold in 1955 to Elmer L. Ward, long time president of the Goodall Sanford company. Palm Beach cloth continued to be produced and advertised through until 1956. In the face of dwindling profits, Burlington Mills (later Burlington Industries) shut down the production of Palm Beach Cloth.(source)

Elmer L. Ward retained control of the “Palm Beach” company until 1979, when he was succeeded by his son, Lawrence Ward. It took nine years to pay off the debt accrued by the company prior to the buyout, but under Ward, Palm Beach went public in 1965. In 1975, the holding company “Palm Beach Inc.” was created, which expanded to include the brands of Varsity Town, Gant, Austin Hill, Evan Picone, John Weitz, Calvin children’s wear, Eagle shirts, Haspel, and Country Set. Elmer Ward passed away in 1982. In 1985, a 62% controlling interest was bought out by Merrill Lynch Capital Markets. In 1988, the Palm Beach name was sold again, to Southport, Connecticut based “Crystal Brands”. (source) The name was re-sold to HMX LLC. In 2010, the Palm Beach brand was merged into the “Austin Reed” name.(source)A year later, HMX re-launched the brand. (source)

Content

The fabric content of Palm Beach Cloth changed a number of times of the course of its production.
1912 – Cotton Warp, Mohair Weft
1941 – Reformulated to make the fabric softer and lighter. Precise content unknown, but likely included the addition of Rayon.
Late 1940s – Cotton, Mohair, Rayon. The precise content depended on the fabric’s application, and the region of the country in which it was sold. For instance, the fabric in a Palm Beach necktie of this era was 50% Rayon – 32% Mohair – 12% Cotton – 6% Nylon.

Pricing

The prices for Palm Beach suits varied wildly up until 1931. Up until that point, Goodall Sanford supplied their Palm Beach Cloth to a variety of tailors who produced suits of varying quality and prices. After 1931, clothing made from Palm Beach cloth was made in-house.

A Palm Beach cloth suit sold for $18.50 in 1934
A Palm Beach cloth suit sold for $15.75 in 1935
A Palm Beach cloth suit sold for $15.75 in 1936
A Palm Beach cloth suit sold for $16.75 in 1937
A Palm Beach cloth suit sold for $17.75 in 1938
A Palm Beach cloth suit sold for $15.50 in 1939
A Palm Beach cloth suit sold for $19.50 in 1942
A Palm Beach cloth suit sold for $19.50 in 1945
A Palm Beach cloth suit sold for $23.50 in 1947
A Palm Beach cloth suit sold for $26.75 in 1948.
A Palm Beach cloth suit sold for $27.50 in 1949.

Neckties

In ’31, The Goodall mills switched over to tailoring all their own products for the most part, and gave the contract to produce neckties to Cohn, Roth & Stiffsen of New York, Franc, Strohmenger & Cowan of New York, and Hewes & Potter of Boston. None produced ties from Palm Beach Cloth in any notable quantity. (source) Cluett Peabody (Arrow Ties) had rejected the fabric.

A 1936 contract with the Weisbaum Bros., Brower Company, Cincinnati (producers of Beau Brummell neckties) gave them the exclusive right to produce Palm Beach Cloth neckties.

Patents found on Palm Beach neckties
RE20942. Issued 1938
2131545. Issued 1938
2378671. Issued 1945.
2441654. Issued 1948.

1940s composition: 53% mohair, 47% cotton

Early ’50s composition, from your tag: 50% Rayon, 32% mohair, 13% cotton, 5% nylon.
I’ve seen another from that era marked 50% Rayon, 32% Mohair, 12% Cotton, 6% Nylon.

It looks like by the ’50s “Wash and Wear” Palm Beach ties by Beau Brummel had been re-formulated again to be:
55% dacron polyester, 40% Rayon, and 5% Polyester. I’m seeing ads for those in the late 1950s. Oddly, the tags still say “woven only by Goodall Sanford”, despite the name “Palm Beach” and the Goodall Sanford mills splitting ways around 1955. It was sort of a gradual split, ’54-’56. In the early ’50s, some of the fabric production had moved from Maine to Ohio. I wonder if that included the fabric used in their neckties?

By the ’60s, Beau Brummell Palm Beach ties were 60% polyester, 40% rayon

reproduction WWII Jeep Coat

http://www.ebay.com/itm/281056370893

This jacket is a reproduction of a WWII issue shawl collar canvas mackinaw. It has a cotton shell, with a blanket wool collar and lining.

Chest (pit to pit): 29″ (doubled = 58″)
Shoulder to Shoulder: 23″
Sleeve (shoulder to cuff): 28″

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Italian Leather Police Jacket

http://www.ebay.com/itm/271144843549

This vintage jacket was made in Italy. It is police issue, a double breasted, belted style. It has raglan shoulders, has buttoned tabs on the sleeves, and slash pockets. It has a blanket wool lining.

Chest (pit to pit): 25″
Sleeve (center of collar to cuff): 33″

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Los Angeles Sportogs leather jacket

http://www.ebay.com/itm/281051161461

This vintage leather jacket was made in California in the 1940s by Los Angeles Sportogs.  It is a battledress/ Ike jacket influenced style, probably produced just after the war.  It has stitched down epaulettes, a sptread collar and a front belt closure. The front is closed with a short deco sunburst talon zipper.  The front pockets and label are missing, but I have seen one other example of this jacket sell about four years ago, and another example in a Japanese vintage leather book.  I’ve rented this one out, and it has appeared on several album covers, including Deanna Bogart’s “Pianoland” and Merl Johnson’s “Better Man”.Chest: 23″ (doubled =46″)Shoulder to Shoulder: 19″Sleeve (shoulder to cuff): 23″    Photobucket

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Star Sportswear Kurland Gluv-Tanned leather jacket

http://www.ebay.com/itm/271137541051

This vintage leather jacket was made by Star Sportswear, under the “Kurland” label.  It is made of “Gluv-Tanned” leather, which , going by period advertisements, was a tanning process Star used primarily on cowhide, which gave it a soft finish.  Star Sportswear is also known for its USN G-1 contract.  This jacket is a classic early motorcycle style, with a D-Pocket map pocket and a front belt.  It has an action back, and a brass Scovill zipper.

Chest: 20″
Shoulder to Shoulder: 17″
Shoulder to cuff:  24″

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